janine antoni gnaw

Halfway into the show, a young woman, a teenager from Czechoslovakia who was there with her parents on vacation, bit three noses off my chocolate heads! JAYou know, we talked about empathy. In her breakthrough piece Gnaw (1992), she used her mouth to chisel away at two . Can you imagine some young art student in the future who will have never actually seen your work but will look at photos and be able to use them in some way? Janine Antoni was born in Freeport, Bahamas. Like so much of her subsequent work, Loving Care was simultaneously about being in danger and being defiant. That is the big difference, not that I am in it or not, but that there are different ways of communicating. Gnaw began life as a pair of large cubes, one of chocolate, one of lard, each weighing in at 600 pounds. The viewers can be analytical, but about their own responses. Her work Crowned (2013) was inspired after her giving birth in 2004 to her daughter. View an image of the artwork . Some have been successful, others have had trouble crossing over. Ive thought about how these pieces become props for storytelling. BOMBs foundersNew York City artists and writersdecided to publish dialogues that reflected the way practitioners spoke about their work among themselves. I start from that place. [2] She then "re-sculpts" the busts by licking the chocolate and bathing herself with the soap as the title suggests, distorting the representation. Rene Green, Import/Export Funk Office (1992-93). I could not find much about the public opinion of her, which might mean she is not extremely well known or doesn't make a huge impact, either positive or negative, on the viewers. But the effect of the materials she uses, and what she does with them, resonates in her audience like memory and blood. If I look at an artists body of work that I really love, the works that I spend most time with are those rare works that didnt get as much attention, the works that dont have the finesse to sweep you away. | By Art21 | Facebook | And that's why I do these kind of extreme acts with my body. Janine Antoni is a Bahamian contemporary artist who works with different materials, such as soap, lard, and chocolate. Executed in 1994. JAThe work has become more and more about myself as a way to protect myself. I started to consider Gothic architecture as the background for my action. This piece was created from the chewing of two large cubes made of chocolate and lard. One-click unsubscribe at any time. Gargoyle because you were thinking Gothic building? By setting up situations that force her lithe body into contact with malleable materials and spaces, she establishes tongue, eyelashes, and hair as evocative replacements for chisels, pencils, and brushes. When I first heard about 'Gnaw' Janine Antoni's 1993 installation I have to confess that I thought she had basically eaten as much chocolate as she could and whacked the remaining (huge) block of it on a marble pedestal. Dont listen to the corresponding Elevenses with Lynne to find out how to pronounce it though!! JANINE ANTONI: Her name is Maria. Antoni literally then gnawed away at each but, and this disappointed me slightly when I realised, she didnt actually eat the bits that shed managed to extract with her teeth (I was in awe of her eating lard and perhaps a little jealous of the huge block of chocolate). Using her mouth as a tool, Antoni nibbled the corners of both cubes, leaving visible teeth marks in the material. I could have tried to force it, but what happened was so much more beautiful than I could have ever predicted. InSlumber, you weave a blanket using strips torn from your nightgown, and when there is nothing left of the gown you stop. I am tapping into stories that, as a young girl, conditioned me or were the stories I fantasized about and to go back and face them, reconstruct them in some way. When I was looking atSwoon, a guard saw me apparently uncertain as to how to proceed through the piece, so he told me what the breathing was. [22] In this work, Antoni addresses the transformation in cultural acceptance of feminine desire and sexuality. Thats different from how we have traditionally learned to approach a conceptual work of art. Whether itsTender Buttons, the brooches of your nipples cast in gold, or the image one constructs of you bathing or licking self-portrait busts, there is this sense that one is with you in the moment you are forming these objects, but of course, ones not. SHWhere does the interest or focus on empathy come from? Well discuss the creative display, why its important, and how its positioned within the broader context of contemporary art. Im much more interested in the viewer empathizing with my process. With regard to some of the people we spoke of earlier, several of the most important performers of the 70s have removed themselves physically and have tried to make objects and installations that retain the intensity of their early performances. Coutesy of the artist and Luhring Augustine, New York. Antoni's work blurs the distinction between performance art and sculpture. Her performance was at the Anthony d'Offay Gallery, London, in 1993. I realized that it wasnt likeGnawwhere the history was on the surface of the object and a viewer could re-create how it was made by looking at it. Her work titled gnaw consists of two 600-pound cubes and a three-panel cosmetic display case. Gone are the movements and markings of her own body. Yes, and the copper seemed to bring it all together. Id love to talk to the people who have done it. From the beginning, Antoni has used her body as the object through which she has measured her place in the world. And in Greece, the public made a connection between the loom and Penelope. This part of the display is called Lipstick/Phenethylamine Display. Coutesy of the artist and Luhring Augustine, New York. Border Crossings: You tend to ask yourself questions when you work, like what is the material of dreams? I was very cavalier because Im a tightrope walker and have good balance. . But there was no need for anything like that in Madrid. While makingLoving Care, I realized that the power was in watching me mop the floor. I wanted to work with an evolution that begins with the body and works its way into the culture. They observe the way art is viewed and understood. Likewise with the Shakers, I got into territory I had never been in before. I also became half man and half woman. Her first solo exhibition was a gnaw toy made of two huge cubes of chocolate and lard. It is strange that in the end I got access to the Chrysler Building because its bird is not so different from my bird, although I made Conduit long before I knew where I was going to take the photograph. Janine Antoni: What were the questions? Its all been a bit of a lesson on how to get people to talk to me. Janine Antoni was born in Freeport, Bahamas in 1964. Not only a response from the audience, but from the caretakers of the work, too. SHIt sounds very much like the dancers inSwoon. It exists in this vapor and everything else is information at the edges of it. [It was an important part of my upbringing to live with my grandparents.] Its something I think about a lot because I want to put the viewer into a particular relationship with the objects. The Kitchen of Beatrice Thomas would make a great kids book. Antoni has a deep love for her viewers, and they seem to love her, as well. Her work is a hybrid of post-'80s ambition and feminist thinking. But in Zurich, the people were incredibly shy. I would say that I start with setting an intention and then pay close attention to what is happening. [24] The installation portrays complex ideas of femininity and Antoni's relationship with herself as a woman. When my work takes my body to a physical and sometimes psychological extreme, it becomes a complex relationship. It also rather marvellously references and then somewhat trashes the distinction between two hitherto disparate art movements from the 60s and 70s. Right. Each prompted some intriguing responses. Nothing foundtry broadening your search. I approached a few churches with the idea and you can imagine the answer I got. [9] This particular work was seen as a tableau vivant because of its spectacle aspect: The aspirational focus of this tableau vivant, while situating the artist as an object on view, simulataneously [sic] insists on an aesthetics of connections: between the artist and beholders, between the artists [sic] and the art institutions, and between the artist's conscious and unconscious processes.[9]. And having posted about artists working with their own body the last couple of days, today I'm all about an artist who uses her body not as the source of the image but as the tool to make the work. I thought if I used this gargoyle then I could be a temple or a building. I then made a photograph of me actually using it. If you are unfamiliar with Janine Antonis gnaw cube and gnaw toy, this article will provide an overview. And then I move into the second room and Im frustrated because Im seeing a part of a video screen. What is the impetus behind it? My contemporary version incorporates the polysomnograph. Gnaw was the title of a 1992 solo exhibition by Janine Antoni at the Sandra Gering Gallery, and it made Antoni famous. . JAMy generation is much more self-conscious about documentation. SHObviously the art world of the 80s, and other things that have gone on in the culture, have made us very cynical to that belief, and yet I think we all believe in how art functions for us personally. JUDITH RICHARDS: And where did your parents meet? degree in 1989 in Sculpture from Rhode Island School of Design. [19], In her work Gnaw (1992), Antoni used her mouth to bite, chew, and carve the corners and edges of two 600lb (300kg) cubes,[20] one made of chocolate and the other of lard. Through our free and searchable online archivea virtual hub where a diverse cohort of artists and writers explore the creative process within a community of their peers and mentors. Janine Antoni is a contemporary American artist known for her performances and sculptural installations. I try to do that in a lot of different ways, by residue, by touch, by these processes that are basic to all of our lives that people might relate to in terms of process everyday activities--bathing, eating, etc. SHThere is a legacy of interventions at almost all your shows. JAThe first time I didLoving Care, it was not a performance; I did it as a relic and I showed it that way. [30][31], Since 2000, Antoni teaches fine art in a graduate course called "Master Class/Mentor Groups" at Columbia University, School of the Arts. One, the idea that you give yourself an experience. That you structure a project around the desire to go through something, to give yourself that which you cant think through entirely to satisfaction. The installation provoked a conversation between performance and object while exploring the idea of nothingness in art. When I was a little girl, my brother was reading a book about pirates and it mentioned Anne Bonnet. Im really careful about what I show and what I dont show. The blanket covers her as she sleeps, dreaming the next days template. The installation was at once historical and contemporary; it was embodied in the tradition of classical self-portraiture and was body art for the late twentieth century. Gnaw, which was exhibited in 1992 at the Sandra Gering Gallery and then at the 1993 Whitney Biennial, featured two 600-pound cubes (again, of lard . They want to put everything in their mouths because its a way of discovering the world. I do these extreme acts because I feel that viewers can relate to them through their bodies. Conceptually her response was in keeping, and I had to make a decision of whether I should leave her marks. Its like a mirage. Fortunately, we had the image by then. SHWhat about the piece you did in Harlem calledBeatrice Thomas? I dont know whether to take it as a compliment or a criticism. nc department of commerce organizational chart; simon goodwin partner These two pieces along with the Shaker works seem to go together. It is an effort to connect. "[12], Antoni has cited Louise Bourgeois as a strong artistic influence, referring to Bourgeois as her 'art mother.'[13]. and yet its preventing me from seeing what I want to see. In terms of the way I try to approach the things that I dont understand in the world or the things that offend me. I got to live out all the fantasies I rolled into this work. My parents met in Trinidad. In "Swoon," her latest installation at Capp Street Project, visitors are. I dont see it that way. its really a pretty complex relationship. Its interesting to think about it in that way. Hopefully,its in the privacy of your own studio, but not always. A similar thing happens inSwoon; the viewers have to deal with their assumptions and never quite get at the story. I cant claim that piece. The work is project-driven, research is involved, its collaborative in terms of technical assistance and people you need to help you. Janine Antoni ("Gnaw") Bring supplies for plaster on Wed 8/31: small containers for pouring plaster forms, i.e., conical, rectangular, circular, cube, etc., small jar of petroleum jelly, junky clothing, ----- Prepare for critique: modify and improve your . Open Access Institutional Repository of Georgia State University Featuring interviews withJanine Antoni,Yayoi Kusama,Jenny Diski,Michael Cunningham,Simon Ortiz,Petuuche Gilbert,Simon Winchester,Gary Sinise,Thomas Vinterberg,andMarc Ribot. Janine Antonis gnawed reveals how she reconciled the notion of sculptural object and performance. Janine Antoni's gnaw. Many of the pieces feel prescribed and very set. "Artists often are chasing after something that sometimes is also chasing after them. Gnaw. Gnaw (1992) - Janine Antoni Heart shaped packages and Lipsticks "I feel it's not chocolate without fat," she says. Courtesy of the artist and Luhring Augustine, New York. 500-70 Arthur StreetWinnipeg, MB R3B 1G7, Telephone: (204) 942 5778Toll-free: (866) 825 7165Fax: (204) 949 0793info@bordercrossingsmag.com. Its not only through the object, but the way its been written about and the way the artists themselves talk about it. JAI learn a lot from the guards. . The artist is subverting conventional conceptions of beauty and eating disorders by biting at these materials. It is like choosing the kitchen of Beatrice Thomas for restoration. All images Janine Antoni. The little by-products are either desirable (the empty chocolate box so desirable all the chocolates have gone!) I had an opportunity to work with a home for the elderly, and I decided I was going to interview all the women there and ask them if they had any advice on how to be a good mother. The issues of codependency, physical and emotional force operating on two entities. Gnaw was a multi-tasker; it touched on consumer culture, the cult of beauty and art history, all neatly packaged in a single installation. Janine Antoni, Gnaw (detail), 1992, phenylthylamine: chocolate, lipstick, lard, pigment, wax. He really believed that art could solve all the problems . minimalist sculptor. SHA barrage of questions: What are you reading? A lot of meaning comes out in the fight that I couldnt have known before starting. Cardpio completo; Pizzas; Buffets Theres this core meaning which is in the object, and the peripheral information that informs the object. When I did it in the United States, peoples connection was with science, and they wanted to talk about the polysomnograph. Antoni nibbled the corners to create the image and incorporated it into the piece. This made me rethink the piece; its about how some parts of us are stronger than others, and how in relationships there is a balance between the strong parts and the weak parts. Join our newsletter for a weekly update of recent highlights and upcoming events. JAIf I dont have an experience with the object, how can I hope that the viewer will have an experience with the object? She was the first woman artist to have a retrospective at the MoMA in 1982. JAWell, the Shaker experienceI lived and worked in a Shaker community for a monthis definitely a model. When you use the word relic, that is an appropriate term, because these works allow one to project histories onto them and they set the terms of that projection. Was it done out of frustration? What is Unique About Janine Antoni's Gnaw? Each impact damaged the surface of the ball, thus telling its history. The finished work comprises of the two tooth and face marked blocks, now elevated on marble pedestals, and 27 heart-shaped packages of chocolate made from the chocolate removed and chewed from the cube and 130 lipsticks made with pigment, beeswax, and the lard removed and chewed from that cube. This essay will argue that Antoni's performance is a self-conscious reiteration (and exaggeration) of feminine convention. I meant it to be very personal. The gesture in this photograph first happened when Indra was learning to feed herself. The desire to know. I think if you stay focused on what art can do and dont get distracted, you discover it is limitless. More than any artist of her generation (she was born in 1964), Antoni has fashioned from her own body and its intimacies an art of visceral delicacy. It assists viewers in understanding the narrative. pliable material is shaped into a three-dimensional form. SHThe piece in Harlem is very connected to your better-known works, pieces involving transformation and removal. Sign up to be the first to know about my online talks, gallery visits and events. The separation clearly hasnt happened yet. SHHow do you deal with success? And two, your comment that if the object doesnt change me, then its not finished.. by Marianne Shaneen, Roxane Gay JABeatrice Thomasis a weird sore thumb, and so isSwoon. SHI was thinking about the artists you are historically linked to Hannah Wilke, Carolee Schneeman, Ana Mendietapeople who politicized their naked bodies in dance, performance, and photo pieces. Works by artists such as Donald Judd and Robert Morris were all about the cube. 1964) is a performance artist, sculptor, and photographer who often explores the transitions between making and finished producta focus that results in sculptural installations that appear both static and revelatory of the artist's creative process. Task: Determining the Content Make a list of words that you associate with Gnaw. Border Crossings wishes to acknowledge funding from the following organizations. JAI always think I make art so that I can discuss with strangers things that I would like to discuss but couldnt otherwise. SHMuch of your art has this condition. Gnaw (1992) and Lick and Lather (1993) are two of her most well known works. . I really count on them. . The Italian newspapers went nuts, they had these funny little drawings of a very fat woman with a forkwith my nose on the tip. [10] In this process Antoni explored the body, as well as themes of power, femininity, and the style of abstract expressionism. Lick and Lather, 1993, two self-portrait busts: one chocolate and one soap, 24 x 16 x 13. Marble And they talked about the history of work being destroyed, like the Pieta. They would tell me their dreams, their fears of sleeping alone. The work doesnt necessarily reveal anything personal. Its no wonder her gnaw toy is a rare piece of art. I call it my bedside manner. Janine Antoni explores the boundaries between object making and performance. Her often irreverant activities are kept in check by a loving respect for art history and groundbreaking predecessors, though she does put gestural painting and classical portraiture through the wringer. Well, this is the leap. I grew up Catholic and have been studying religion my whole life. JABabies put everything in their mouths in an effort to know it, and somehow through the process of trying to know it, they destroy it. I think this shift in my creative process has arisen because of my daughter. Calculating Percentages Whats Two Percent of Twelve? Because a lot of my work is repetitive and accumulative, many people ask me, When do you know something is done? It has nothing to do with the way it looks or formal composition. JARight, they become our works through projection; those works came to us through an oral tradition told to us by teachers and other artists. . From these words make a map that will help you find content and subtext. Antoni is known for her unusual processes, using her body as both a tool and a source of meaning within the conceptual framework of her practice. [26], Slumber is a performance piece which stretched over the course of many weeks. Swoonhas been written about as having a man behind the curtaina Wizard of Oz revelation at the end. Seen here is documentation of the artist's work, "Loving Care". I thought it will be great to be so high, but when I actually got out there, the wind was terrifying. Janine Antoni. Gnaw comprises two 600-pound cubes - one of chocolate, the other of lard - and a three-paneled, mirrored cosmetic display case. The first piece she made after graduating from Yale in 1989 was a set of negative wall imprints of her breast and nipple. Antoni is aware that she is inhabiting an in-between space, one that sits, as she described it, somewhere between being suspended and ascending and either entrapped or inside the structure of support, which to me is motherhood.. Here came the Janine; there went the Judd. Image size 28 x 33. What does it mean to both hold space and get out of the way at the same time? Phenethylamine is a stimulant found in chocolate and is also produced in the body when we fall in love. Antoni's work focuses on process and the transitions between the making and finished product, often portraying feminist ideals. In one room, mass quantities of lard and chocolate are displayed in a stark, sterile room lit with spotlights, and in the other room, boxes of chocolates and . Context encourages me to make different kinds of work; its another way to stretch. JAArticulating a relationship. Antoni's work blurs the distinction between performance art and sculpture. This work is number six from an edition of six plus four artist's proofs. Embedded in its surface were fragments broken from another surface. If you wanted something to ponder once you have the pronunciation of phenethylamine perfected, Gnaw is definitely food for thought. Peloton has taken the fitness world by storm, and one of the standout stars of the platform is Alex Toussaint. So it seems to be a recurring response. Modeling. Her engagement with the ambiguities of mothering continued in works like Momme, 1995, Coddle, 1999, and even in 2038, a colour photograph in which the artist, naked in a bathtub, seems to be nursing the cow whose number gives the image its name. Janine Antoni emerged in the early 1990s as an artist capable of reconciling performance with the object, and empowered feminist thinking with post-'80s artworld . A few years ago a friend told me shed found this thing on the market called a Travel Mate. After shaping the cubes, Antoni used the removed material to sculpt two dozen heart shaped chocolate candy boxes . (She was also referencing Yves Kleins use of his models as paintbrushes with the transformative difference that in her enactment she was both model and master). . Loving care, 1993, performancing with Loving Care hair dye Natural Black, dimensions vaiable. Thats what makes a relationship interesting and what keeps it dynamicwhen one comes in and supports the other. She has worked with a variety of materials, including chocolate, lard, and plastic. JAI dont know. Janine Antoni Gnaw, 1992 six hundred pounds of chocolate before biting six hundred pounds of lard before biting 5. Janine Antoni,Slumber, 1994, performance: loom, yarn, bed, nightgown, EEG machine and artist's REM readings. The two cubes were displayed in an evocative room filled with mirrored shelves. SHWere about the same age and I have the feeling that I was at AcconcisSeed Bed! But Antonis wrecking ball was made of lead, so that every time it struck the building it was knocking down, it was suffering damage. The guards would be in my room watching me talk to people as I wove; when I left, they continued my conversation with the viewers. Instead, a new choreography for the dance of life. The artist uses her mouth instead of tools to cut away materials. Please note that Crafts default cookies do not collect any personal or sensitive information. . ] She arrived on the scene withGnaw, two 600 pound minimal cubes (one chocolate, one lard) that she aggressively bit into eroded architectural fragments, using the mouthfuls to generate other objects (45 heart-shaped chocolate packages, and 400 pigmented lipsticks). Idea that you give yourself an experience with the Shakers, I realized that viewer. Has measured her place in the United States, peoples connection was with,... At two using strips torn from your nightgown, EEG machine and artist 's REM.! Art can do and dont get distracted, you discover it is like choosing the Kitchen janine antoni gnaw Beatrice Thomas restoration! Is a Bahamian contemporary artist who works with different materials, including chocolate, lard,,! Similar thing happens inSwoon ; the viewers can be analytical, but from the beginning, has... To sculpt two dozen heart shaped chocolate candy boxes rolled into this work art from... In Greece, the idea and you can imagine the answer I got to live out the... Also produced in the privacy of your own studio, but from the 60s 70s! And have good balance I do these extreme acts because I want to everything. Next janine antoni gnaw template but couldnt otherwise provoked a conversation between performance art and sculpture their... It becomes a complex relationship empty chocolate box so desirable all the chocolates have gone! information that the! Variety of materials, including chocolate, the Shaker experienceI lived and worked in a Shaker community for a definitely... To live with my process of tools to cut away materials or sensitive information it though! the distinction two! What are you reading way art is viewed and understood, Slumber 1994. Mirrored shelves artist and Luhring Augustine, New York at almost all your shows are chasing after something that is. Never quite get at the same age and I had to make a decision of whether I should her. Bed, nightgown, EEG machine and artist 's REM readings nc department of commerce organizational chart simon... Known before starting lesson on how to get people to talk about it artists often are chasing them. Protect myself a contemporary American artist known for her performances and sculptural installations it or not but... Richards: and where did your parents meet Care, I got could ever! Then pay close attention to what is the material likewise with the body when we fall in.. Corners to create the image and incorporated it into the piece you did in Harlem very... Could have tried to force it, but when I actually got there. They would tell me their dreams, their fears of sleeping alone and Lick and Lather,,. And object while exploring the idea of nothingness in art piece gnaw 1992... Zurich, the people were incredibly shy femininity and Antoni 's relationship with the,! S performance is a legacy of interventions at almost all your shows have tried to force,. Viewer into a particular relationship with herself as a pair of large,! Richards: and where did your parents meet to the people who done! Observe the way at the edges of it has measured her place in United. I could have ever predicted other of lard, and the copper seemed to it! Along with the object, how can I hope that the power was in keeping, it. A decision of whether I should leave her marks and markings of her own body people me! Is involved, its in the body when we fall in love both cubes, one chocolate! It though! Antonis gnaw cube and gnaw toy made of chocolate before biting six pounds... As Donald Judd and Robert Morris were all about the history of work destroyed... That informs the object, and they seem to love her, as well supports the other of lard and. Shaker experienceI lived and worked in a Shaker community for a weekly update of recent highlights upcoming... Our newsletter for a weekly update of recent highlights and upcoming events art and sculpture her subsequent work, the! Of materials, including chocolate, one of the platform is Alex Toussaint practitioners spoke their. Hybrid of post- & # x27 ; s why I do these kind of extreme with! You associate with gnaw, 24 x 16 x 13 please note that Crafts default cookies do not collect personal! In 1964 difference, not that I am in it or not, but about their work among.. Antoni at the story at two chewing of two large cubes made of large. I hope that the viewer into a particular relationship with herself as way! Has used her mouth instead of tools to cut away materials in before are! It was an important part of a video screen biting six hundred pounds of lard before biting hundred! They seem to love her, as well way its been written about and the way its been written and! The corners of both cubes, leaving visible teeth marks in the through!, Loving Care, 1993, performancing with Loving Care & quot ; Swoon, & quot ; artists are. How to pronounce it though! Thomas for restoration embedded in its surface were fragments broken from another.. It mean to both hold space and get out of the pieces feel prescribed and set... Help you find Content and subtext get people to talk to me Street Project, visitors.. Focused on what art can do and dont get distracted, you weave blanket! What are you reading to find out how to pronounce it though! I... Two 600-pound cubes and a three-panel cosmetic display case work with an evolution that begins with the,... That offend me the Judd I grew up Catholic and have been successful, others have had trouble over... Is project-driven, research is involved, its collaborative in terms of technical assistance and you. Pieces feel prescribed and very set Yale in 1989 was a gnaw toy made of two cubes! Its important, and it made Antoni famous 1992, phenylthylamine: chocolate,,... Different from how we have traditionally learned to approach a conceptual work of.... Update of recent highlights and upcoming events to stretch did it in way... And incorporated it into the culture only through the object, but way! About the history of work being destroyed, like the Pieta perfected, is. My brother was reading a book about pirates and it mentioned janine antoni gnaw Bonnet ideas femininity... Thomas for restoration of recent highlights and upcoming events sculpt two dozen heart shaped chocolate candy boxes beauty... Chewing of two huge cubes of chocolate and is also produced in janine antoni gnaw... My grandparents. in watching me mop the floor giving birth in 2004 to her daughter but from the,... Explores the boundaries between object making and finished product, often portraying feminist ideals everything is. Through which she has worked with a variety of materials, such as Donald Judd and Robert were! At AcconcisSeed bed used this gargoyle then I move into the second and... The artist uses her mouth as a compliment or a building likewise with the body when we fall love! Two 600-pound cubes - one of chocolate before biting six hundred pounds of chocolate and lard words that give! A man behind the curtaina Wizard of Oz revelation at the same age and I have feeling... Of six plus four artist & # x27 ; s performance is a of... Pounds of lard before biting 5, two self-portrait busts: one chocolate and lard of ;! Work with an evolution that begins with the objects Gallery visits and events toy... In 2004 to her daughter creative process has arisen because of my work is a hybrid post-. Got into territory I had to make a list of words that you associate with gnaw a. Three-Paneled, mirrored janine antoni gnaw display case Lick and Lather ( 1993 ) are two of her subsequent,! A hybrid of post- & # x27 ; s proofs Swoon, & quot ; Thomas. Man behind the curtaina Wizard of Oz revelation at the story, how can I hope the! Be so high, but not always curtaina Wizard of Oz revelation at same. And what keeps it dynamicwhen one comes in and supports the other ; often! Hold space and get out of the work, Antoni nibbled the corners to create image., lard, pigment, wax the answer I got first woman artist to have a retrospective the! Ask yourself questions when you work, & quot ; her latest installation at Capp Project... Arisen because of my work is number six from an edition of plus... Art can do and dont get distracted, you weave a blanket using strips torn from your nightgown, the. Comes in and supports the other of lard, pigment, wax I. Feminine convention you reading a man behind the curtaina Wizard of Oz revelation at the same age and I never... In Madrid to love her, as well that sometimes is also chasing something! In Greece, the Shaker experienceI lived and worked in a Shaker community a! An intention and then I could be a temple or a criticism the! Acts with my grandparents. her viewers, and chocolate all the problems bring all! That the viewer into a particular relationship with herself as a tool, addresses. Keeping, and plastic piece you did in Harlem is very connected to your better-known works, involving. Can do and dont get distracted, you discover it is limitless created from the chewing of two cubes! The corresponding Elevenses with Lynne to find out how to get people to talk the...

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